How To Film Better as a novice


The Inspire 2, the mother of the mid-range to professional drone series, has a set of professional, high-resolution 5.2K cameras that come standard with the drone and rival other platforms in its price range. These cameras can be detached and replaced with several other mounting devices and support cinema cameras up to a certain weight, making them an adaptable and versatile offering trusted by many today’s best indie filmmakers and documentarians. 

The main ways to enhance high-definition video are lighting, audio, and tripod equipment. To make a video look and feel professional, you need an external microphone and a rotating tripod (we can’t shoot without proper lighting equipment). An external microphone eliminates irreversible ambient noise, lighting equipment highlights the focal point and improves overall image quality, coloring the tripod will prevent your viewers from getting seasick, and you’ll feel like you have a firm grip even if the untrained eye perceives unwanted movement. 

These are just a few examples of how properly positioned equipment and training can elevate your final video product from amateur to professional. Another sure identifier for amateur video productions is the lack of multiple tracking shots. This is an advantage for professional video editors who are self trained and know what is pleasing to the eye, how to arrange shots in certain sequences, eliminate emerging sound, jump cuts and the list goes on.

If you make a lot of videos and are happy with the results, you are not alone. Whether you’re shooting, publishing, recording from memory, or saving, these tips will help you make better videos. 

Over the past year, we’ve shared a lot of great tips for getting started in filmmaking for amateur filmmakers, as well as more advice for those looking to graduate from film school. But there are some basic bits of wisdom that newbies ignore for some reason, and that can significantly delay their progress. Here are five useful film tips you should never disregard, regardless of your previous experience. 

Thanks to technological innovations, anyone can become an amateur filmmaker without breaking the bank with expensive equipment. Smartphones have the ability to record video instantly, and there are many free software systems for editing. 

To distill the difference: As a photographer, for example, you capture an image, expression, brand or idea in an instant. With video, you don’t have a finished product to switch from one to the other. This may seem simple, but many novice photographers hold their smartphone aloft when shooting and switch between vertical and horizontal, depending on what the subject requires. 

Many smartphone camera apps offer this feature, and you can download apps like Cinemagraph Pro (iOS) and Vimage (Android) to try it out for yourself. Cinemagraphs are a cross between videos and photos, but most images are one of two options: semi-still or moving. When you make videos, you construct a series of images to determine viewer reaction. 

When shooting still images, it is possible to change the aperture and shutter speed without consequence. It’s fine to set up the camera and shoot the entire scene from a single angle. But when shooting video, changing the aperture or shutter speed can change the look of your footage. 

It’s difficult to brighten the video without degrading the quality or introducing noise. You can’t transfer the video from the desktop camera to social media, but you can send it to your phone, email, or through file-sharing services. 

To get the best resolution and viewing experience, you should know what to expect from the video specifications of the platform you’re posting to. For this reason, I recommend bookmarking this up-to-date guide to video specifications for social media. The order doesn’t matter, but it’s critical to understand each point. 

You’ll learn things like Facebook recommends video dimensions of 1280×720 for landscape and portrait. Considering that many people work on social networks that don’t enable audio when the user scrolls through your video, you need to be creative in how you frame your message. 

Doing more interviews than you need goes a long way as a regular amateur. Shoot way too many interviews for a typical documentary profile of 7-10 people.

Part of old-school filmmaking is making a movie and releasing it to the public as soon as it’s ready. The biggest mistake filmmakers make is waiting until the film is finished to promote it and build an audience. 

It’s best to watch TV with yourself and the people you love. Let’s face it, no one likes to sit and watch boring videos of cousin Jimmy’s birthday party in drag. 

Not many phones can take great pictures in low light. If you want to take a photo at night, you need to find a light source. We’ve all seen videos where our subject has yellow skin and red devilish eyes, with a super dark background. 

In many cases, we recommend using the phone’s rear camera, even if the phone is on a desk or against a wall. The rear camera has better quality, higher resolution, and offers more features and apps. If you prefer a handheld shot, use the front-facing camera. If you’re shooting in landscape mode, you can usually flip the phone over. 

Most mobile camera apps have an option to enable grid lines. So when you go to the camera settings, you can have a vertical or horizontal grid on the screen for taking photos. The most popular gridding tool is the rule of thirds. If you enable the 3×3 grid in the camera app, you can arrange the subject on one of the vertical thirds lines and use the horizontal line as the horizontal line for the position you want. 

For your next video montage or school project, there are mobile apps that can streamline the video editing process. Basic edits, additions, transitions, titles, and effects are easily accomplished on iOS and Android mobile